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For the photography enthusiasts amongst us, food photography can be a source of creative exploration regardless of weather, time or place. At first glance, it may not appear as involved as it truly is – it’s a genre that can teach you lots about all genres of photography, requiring a touch of artistry throughout.
Gareth is going over everything you need to know to get started with food photography, from the equipment you'll need, to how to setup and style the food through to composition, angles and lighting.
Learning new genres of photography trains your photography brain, and opens your mind to new approaches. Taking professional food photos is a brilliant way to expand your arsenal of techniques, as opportunities to get started present themselves everywhere.
In this beginner’s guide to food photography, we’ll discuss the skills you’ll need to apply, the craft of setting up your scene, and the equipment you’ll need to make the most out of it. Read on to discover what makes this style of photography so engaging!
As with all genres, food photography has its own unique set of techniques you need to apply to produce the best images. However, there’s also a remarkable amount of overlap – many of the skills required can be extrapolated from previous experience in genres like product or even portrait photography.
In the same vein, food photography ideas can also be applied across the board and can teach you new methods you wouldn’t have thought to use previously in genres both new and familiar. Below, we’ve listed some of our top food photography tips to help you get started:
Sony A7 III | Sony FE 24-70mm f2.8 GM | 1/50 sec | f/5.6 | ISO 400
While it may not appear so at first glance, the food and its surroundings have to be meticulously prepared for food and drink photography. The whole idea behind taking food photos is to make your photos look perfect – this is done by exercising all of your control over your setting.
Sony A7 III | Sony FE 24-70mm f2.8 GM | 1/100 sec | f/4.5 | ISO 1250
Creating the environment around your food involves a knack for styling. One way to do this is to lean into the theme of your central dish – it’s essential to pair up your food with drinks and additional props that tie into the overall feel of your subject.
Focusing on a general theme is effective, but it doesn’t stop there. Using your intuition to perfectly balance colours, shadows and textures also leads to a creative food photography set. The latter can transform your photo into a sensory experience – keeping some crumbled-up food in the shot or leaving an empty plate can create a real tangible feel to your photo.
It may also be worth delving into some storytelling. One idea to follow is to progressively shoot the food as it’s being prepared or even eaten, inspiring a genuine atmosphere. This works for baked goods like cakes or bread, as the preparation process is engaging on its own, and capturing the food decreasing in size slice by slice can breathe life into your food photography.
Sony A7 III | Sony FE 24-70mm f2.8 GM | 1/200 sec | f/4.0 | ISO 800
If it’s necessary, use any tools at your disposal to make your dishes look as mouth-watering as possible. Pros use a vast amount of equipment to do this – makeup sponges, cotton buds, spray bottles and tweezers are all popular improvised utensils to ensure everything is perfectly in place and looking inviting. Remember that you’re in control and you'll unlock new ways of embellishing your scenes.
Lighting dictates the feel of your image in all genres of photography – food is no exception. As you should understand by now, food photography enables a considered approach from start to finish, which you must extend to your lighting to take brilliant photos.
The best place to start with food photography lighting is to harness a natural light source. Almost every time, it will provide a flattering look that outdoes indoor artificial light. Setting up next to a window enables you to produce perfectly lit shots.
Occasionally, natural light is too bright and directional, creating unwanted shadows. This is where lighting accessories come in – diffusers, for instance, work wonders in softening the light for a more balanced look.
Sony A7R IV | Sony FE 35mm f1.4 ZA | 1/100 sec | f/4.0 | ISO 640
Many professional food photographers love using foam boards as makeshift light modifiers, as it’s an inexpensive hack that works wonders. For instance, white foam boards act like reflectors to counteract shadows, and black foam boards absorb it when higher contrast is ideal.
When natural light doesn’t cut it, flashes and continuous lighting setups are perfect when used carefully. Tools like softboxes and reflectors can replicate that diffused look. For maximum control over your scene, continuous lighting is ideal to take the guesswork out of your lighting. Rotolight, for instance, is an excellent manufacturer of versatile lights, providing flexibility to all kinds of photographers.
A lot of those looking to get started with food photography aren’t necessarily looking for the cutting-edge when it comes to their camera. Most simply want something ergonomic and simple to use, but also want the power and control required to take perfect photos.
Most mirrorless cameras today are perfect for a variety of photography styles, including food photography. For resolution, full-frame mirrorless cameras are the ultimate choice, with the option of medium-format cameras like the Fujifilm GFX 100S II for those who want an even higher megapixel count.
However, smaller sensor sizes like Micro Four-Thirds and APS-C cameras may also be preferable as the reduced form factor gives just a little more flexibility with how the camera is used. Cameras like the Canon EOS R50 are perfect for those who want to capture beautiful high quality stills without cashing out on bulkier gear.
Canon EOS R50 + Canon RF 18-45mm f4.5-5.6 IS STM
Even compact cameras like the Sony RX100 VII and the Ricoh GR IIIx can be incredibly useful in the hands of a skilled food photographer. Their size means there’s virtually no limit on the angle you shoot from, making your experience much more versatile.
With the general trend moving towards more versatility from digital cameras, Wi-Fi connectivity and easy-to-use shooting modes enable content creators to seamlessly integrate their social media goals into their photography. These can be found in many recent mirrorless cameras, which is important to look for if you want to share your culinary photography with friends, family and more.
Perhaps more important than the camera you’re using, the lens you choose will have an undeniable impact on your food photos. It’s crucial to know what you need out of the best lens for food photography.
The first consideration to make is regarding focal length. Prime lenses are a favourite among food photographers, as their unmatched sharpness combined with wide maximum apertures produce crisp images with gorgeously shallow depth of field.
Nikon Z30 with Z DX 16-50mm f3.5-5.6 VR
35mm and 50mm are the two focal lengths most commonly used by food photographers. They’re very natural in terms of distortion and lens compression and avoid going too wide (as to distort the image) or too close to the subject, which is only essential in macro food photography with tailored lenses. Sigma’s Art lenses are a brilliant choice, with the 35mm f/1.4 DG DN Art and the 50mm f/1.2 DG DN Art lenses for the Sony E-Mount and the L-Mount outperforming the competition.
While primes are popular, zoom lenses are used just as much by food photographers. The added versatility of changing focal length makes the process a lot simpler, allowing you to land on the perfect composition much faster.
The classic 24-70mm f/2.8 lens is almost certainly the best zoom lens for food photography, with options from Sony, Nikon, Canon and more being perfect for your system of choice. They combine almost all focal lengths you’d want for food photography with a wide max aperture for those blurred backgrounds. From Sigma, the 28-45mm f/1.8 DG DN Art lens has the widest aperture of any full-frame mirrorless lens, blurring the line between zoom and prime lenses.
A tripod is arguably the best starting point in a food photography setup – while shooting handheld gives you some extra versatility, using a camera and tripod combo allows you to fine-tune and perfect your composition, and not worry about camera shake, allowing you to increase shutter speed and lower ISO.
Depending on your studio (or your kitchen!), you’ll need to choose the perfect tripod for you. A larger premium tripod from the likes of Manfrotto, Benro, Gitzo and 3 Legged Thing is brilliant if you’ve got a little more space and budget, with great options across the board. Food photographers should be looking for adjustability more than anything – the Manfrotto MT055XPRO3 Aluminium tripod is a perfect trade-off between portability, flexibility and ruggedness.
If your shoots require less of a heavy-duty tripod, the Benro Slim TSL08 Carbon Fibre Tripod weighs barely a kilogram and has a slim profile, meaning it can be deployed almost everywhere. As a tripod for food photography isn’t as demanding in terms of robustness, this choice could be your perfect companion.
We hope this tutorial has given you the perfect introduction to the brilliant genre of food photography, and equipped you with the tools to get started today.
In August 2024 we teamed up with the Kent Cookery School and Sony UK to host a full-day food photography course / workshop, where participants captured a range of cuisines in dozens of different settings. This provided the opportunity to work with a chef as well as engage with a Sony technical expert in order to ask questions about the Sony Alpha ecosystem.
This food photography course has now ended, but more dates will be available soon. Visit our events page to see what's coming up and sign up below to receive notifications about future events.
Explore our vast range of digital cameras, lenses and more from all your favourite brands to build the perfect food photography setup today.
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By Thom Pyle on 22/06/2024
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