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Wildlife photography is extremely popular with photographers of all skill levels, many of whom enjoy finding creative opportunities to capture local wildlife images, both in the city and closer to nature. Photographing the perfect moment takes patience, but it also needs the right digital camera and lens to have the best chance of nailing the shot.
Sony is a professional photography pioneer. The brand excels in everything a camera and lens required for wildlife photography – blistering and accurate autofocus, rapid burst shooting, sharp telephoto lenses and portable equipment are all strengths of the Sony E-Mount.
There are countless tools for both the beginner and the advanced photographer among Sony’s wide range of E-Mount cameras and lenses. Whether you’re just starting out photographing the living world or wildlife photography is already second nature for you, today we’ll be taking a closer look at the best Sony cameras and lenses for wildlife photography, so why not get to grips with this outstanding system?
Applicable to almost all cameras, image quality is vital for good wildlife photography. While your lens can do its part, the image sensor and camera body have a huge role in determining your image's sharpness. A higher megapixel count will give your focal points more detail, something that’s essential for wildlife photography as you’re always trying to capture the colour, detail, and character of your subject.
Autofocus is incredibly valuable to wildlife photographers. While other disciplines allow you to be slow and considerate with your choice of focus, wildlife photography doesn’t offer you that liberty. You’ll need a snappy system that keeps your subject in sharp focus, regardless of its motion. Modern processors and artificial intelligence systems have made autofocus absurdly fast, so wildlife photographers have a lot of power at their hands!
Other specs like maximum shutter speed and continuous shooting cater to the speed of the genre. Shooting fast-moving subjects like birds requires a camera with powerful processing.
Sony has been instrumental in shaping the mirrorless camera market. We’re now more than a decade into the reign of Sony full-frame mirrorless, and in that time, its range has become a favourite of wildlife photographers across the globe.
Many wildlife photographers embrace Sony mirrorless cameras due to their advanced Bird and Animal AF, which helps to capture sharp images of their subjects. Sony has several brilliant lens options on top of this, including the FE 200-600mm F/5.6-6.3 G OSS lens, which is arguably the most accessible Sony lens for wildlife photography.
As Sony has such an established ecosystem, building upon many generations of unique cameras, we’ve listed below a choice of Sony’s current flagships which we believe are the best sony cameras for wildlife photography. Feel free, however, to explore their entire range, as almost all new and used Sony cameras will work brilliantly.
There are several factors to consider when choosing Sony lenses for wildlife photography. While there is no single best choice, there are several universal features which are consistently found in good lenses for wildlife photography.
On the whole, wildlife subjects are relatively far away from the photographer, particularly when photographing birds, deer and other shy creatures. For this reason, the best camera and lens for wildlife photography need to provide the greatest reach or longest focal lengths. Things to look for in a wildlife lens include:
New wildlife photographers are often intimidated by the investment required to get into the craft. Not only do they need a camera with cutting-edge autofocus performance, but they often need to invest in multiple rather expensive lenses. However, Sony offers plenty of options that enable budding photographers to dive into this genre and take it even further.
Zoom lenses are perhaps the best way for beginners to get started, as they enable intuitive composition and framing. For instance, the Sony FE 70-300mm f/4.5-5.6 G OSS is a brilliant option for intermediate photographers looking to try out wildlife photography. Its optical performance is excellent across the board, and its range is flexible whilst remaining exceptionally light.
For even more range, the Sony FE 200-600mm f/4.5-5.6 G OSS is a flexible and resilient lens, with a reach favourable to the likes of bird photographers. As a G lens, it guarantees you optical excellence at a reasonable price point.
APS-C camera users will relish the Sony E 70-350mm f/4.5-6.3 G OSS telephoto zoom lens, which provides photographers with a 5x reach (equivalent to 105-525mm on full frame). At only 625 grams and an attractive price, achieving telephoto reach has never been easier.
At the cost of some resolution, this lens can even be used on full-frame Sony cameras as a budget alternative. If your budget is vital, the Sony E 55-210mm f/4.5-6.3 OSS zoom lens is available for only £229 and provides almost a 4x zoom.
Sony’s most advanced innovative lenses all belong to the beloved range of Sony G Master lenses. Every iteration strikes the perfect balance between sharpness and beautiful, smooth bokeh, pairing perfectly with Sony’s perpetually improving full-frame cameras.
Image quality isn’t the only thing about G Master Sony full-frame lenses that keeps wildlife photographers hooked – each lens keeps up with Sony’s notoriously fast autofocus system quickly and precisely, and is engineered for compactness and portability.
For maximum zoom range and reach, the Sony FE 100-400mm f/4.5-5.6 GM is the perfect lens for Sony Alpha. As the first G Master super-telephoto zoom, it’s ideal for shooting virtually all wildlife subjects with an incredibly versatile focal length. Weighing only 1359g, there’s no better compromise between portability and power. You can discover more about this lens and how it operates for wildlife and other subjects, in our in-depth Sony 100-400mm F4.5-5.6 GM OSS Review.
Towards the wider end of the G Master lens spectrum is the Sony FE 70-200mm f/2.8 GM OSS II. This next-generation lens has an unbeatable maximum aperture, providing both low-light performance and exquisite bokeh. Whilst being nearly half a kilogram lighter than the less expensive previous generation, it outperforms it with improved close-focusing and significantly faster, quieter autofocus response.
This exact focal length also has two G Lens equivalents, the Sony FE 70-200mm F/4 G OSS Mark II and Mark I, which offer similar Sony image quality and autofocus performance; yet they sacrifice a single f-stop of max aperture. However, this results in two options which are notably lighter and less expensive, making them a brilliant choice for those who want advanced performance at a cost-effective price.
Prime lenses are generally lighter than equivalent zooms, with faster autofocusing (AF) and slightly sharper results, although many newer zoom lenses defy these benefits. However, their faster apertures, gorgeous bokeh results and relative portability make them favourites among skilled wildlife photographers.
The most powerful set of Sony E-Mount lenses for wildlife photography contains three telephoto primes – the Sony FE 300mm f/2.8 GM OSS, the Sony FE 400mm f/2.8 GM OSS, and the monstrous Sony FE 600mm f/4 GM OSS. These focal lengths ensure that no wildlife subject is ever too far away. Each lens' G Master seal of approval symbolises the best of what Sony offers with quality, speed and reliability.
The bokeh on all three lenses is unmistakably stunning, with fast maximum apertures that obliterate the background behind far-out subjects. With even the heaviest of the three (the 600mm f/4) weighing just over 3 kg, and optical image stabilisation included in each, these mighty lenses fit comfortably into the hands of a seasoned wildlife photographer.
Macro photography is a hugely popular discipline among wildlife photographers – it reveals a new perspective towards the outside world, and captures unseen, colourful details that almost always make for an intriguing image.
The E-Mount offers three prime Sony macro lenses that are perfect for shooting close-up wildlife subjects. Entering the lineup as the most advanced choice, the Sony FE 90mm f/2.8 G OSS lens provides beautiful G Lens bokeh, fast manual focus switching and true, 1:1 magnification.
The Sony FE 50mm Macro f/2.8 prime lens is designed brilliantly as well, with a 16cm minimum focus distance, and a weather-sealed compact design. For APS-C users, the Sony E 30mm Macro f/3.5 is an incredibly Sony macro lens compact, producing similar high resolution, colourful close-ups.
While Sony E lenses are perfect for wildlife photographers, the E-Mount hosts the most expansive range of third-party lenses out of all the full-frame mirrorless brands. This provides Sony users with even more flexibility regarding focal lengths, and often cheaper alternatives too.
Sigma is arguably the most popular third-party lens manufacturer and has honoured its commitment to Sony cameras by releasing a range of outstanding telephoto Sigma E Mount lenses. Their first super-telephoto lens for the E-Mount, the Sigma 500mm f/5.6 DG DN OS Sports lens, offers an excellent five stops of image stabilisation, is handhold-able and provides photographers with ridiculous reach at a comfortable price.
Sigma telephoto zoom lenses are just as popular. Faster Sigma lenses for Sony like the Sigma 70-200mm F/2.8 DG DN OS Sports Lens exist alongside options like the Sigma 60-600mm F/4.5-6.3 DG DN OS and the Sigma 150-600mm F/5-6.3 DG DN OS, both of which give photographers absurd amounts of range.
Tamron, another prevalent third-party manufacturer, also has invested several lenses towards the E-Mount. All-in-one lenses like the Tamron 18-300mm F/3.5-6.3 Di III-A VC VXD and the Tamron 50-400mm F/4.5-6.3 Di III VC VXD provide a great entry point into wildlife photography whilst not excluding other genres. More traditional lenses like the Tamron 150-500mm F/5-6.7 Di III VC VXD give beginners incredible reach without requiring them to break the bank.
While Sony’s range of wildlife lenses all have powerful reach, sometimes photographers need to get even more range out of their equipment. In addition, Sony wildlife shooters will be looking for versatility and portability in their selection of lenses, so will want to cover as much focal lengths with as few lenses as possible.
This is where Sony teleconverters come in. A must-have in any wildlife photographers camera bag, these multiply the focal length of your lens to achieve far more reach. The best teleconverters are lightweight and compact, and don’t hinder the camera and lens’ performance.
Sony offers the Sony FE 1.4x Teleconverter and a Sony FE 2x Teleconverter. Both choices retain full operability and optical quality at the cost of two stops of light – these are compatible with all full-frame Sony wildlife lenses. If you want your wildlife equipment to match each and every one of your needs, a teleconverter is the perfect addition to your kit.
Park Cameras is an official Sony UK retailer, so we're dedicated to helping you get the most out of your Sony mirrorless system. Shop our range of new and used Sony E-Mount lenses, cameras, accessories and more today - you’ll find the perfect tool for your wildlife photography adventures.
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By Park Cameras on 08/05/2024
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