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Having successfully updated two of the three holy trinity lenses, Sony has turned its attention onto the final from the trio, and launched the next generation Sony 16-35mm f/2.8 GM II wide angle zoom.
Discover what’s new for this generation mirrorless E-mount lens, how it compares to the original, and whether you should be selling your lens to upgrade, in our comprehensive Sony 16-35mm f/2.8 GM II Lens Review.
We’ve got sample images, a hands-on video review and comprehensive specifications in order for you to make an informed decision as to whether this is the perfect ultra-wide to wide G Master zoom for your creative needs.
On the 29 August 2023 Sony took the bold step of launching the second generation FE 16-35mm f/2.8 GM II lens alongside the A7C II and A7CR cameras. There’s been no rush thanks to the excellent performance of the original 16-35mm f/2.8 GM lens, which was released back in 2017.
As a professional G Master series model, the next generation Sony FE 16-35mm f/2.8 GM II lens costs £2399.00, which puts it at the higher end of Sony’s range. By comparison, the updated Sony FE 70-200mm F/2.8 GM telephoto costs £2,599.00, and the FE 24-70mm F/2.8 GM II is £2,099.00.
Sample 1: Sony A7CR with Sony FE 16-35mm f/2.8 GM II @22mm. Exposure: 1/800sec. f/8. ISO 100
The Sony FE 16-35mm f/2.8 GM II meets the demands of professionals and advanced hobbyists who capture suitable wide angle subjects, and need the versatility of a zoom lens vs primes, whilst still maintaining a bright aperture for low light situations.
Traditionally professional photographers would aim to have any combination of three bright aperture zoom lenses in their bag, which would cover wide, standard and telephoto focal widths. Although some consider the 12-24mm F/2.8 GM to be the more relevant ultra wide, it’s the 16-35mm f/2.8, which has typically rounded the trio off at the wide end.
Sony has completely overhauled this extremely popular G Master lens for the second generation, and updates include:
Sample 2: Sony A7CR with Sony FE 16-35mm f/2.8 GM II @23mm. Exposure: 1/800sec. f/8. ISO 100
With an ultra wide to slightly wide full-frame image circle, the 16-35mm focal range is ideal for all sorts of subjects, on both full-frame and crop sensor cameras, where it offers an equivalent focal range of 24-52.5mm. In particular, this lens stands out for:
Many would argue that this might perhaps be the best lens for landscape photography, allowing you to capture epic vistas and entire scenes without needing to create a panorama. It doesn’t stop there, as the new model is perfect for vlogging, video recording and environmental human and pet portraits amongst other genres, largely due to its fast focus and high magnification.
If you regularly capture group shots at weddings or events, this is an excellent option thanks to being a zoom with a bright f/2.8 aperture, rather than a prime at just one focal width.
Sample 3: Sony A7CR with Sony FE 16-35mm f/2.8 GM II @35mm. Exposure: 1/500sec. f/8. ISO 320
The table below compares all of the key specifications in order to provide a specs comparison between these two generations of Sony G Master wide angle zoom lenses.
|
Original 16-35mm f/2.8 GM |
|
Mount |
Sony E-mount |
Sony E-mount |
Format |
35mm full frame |
35mm full frame |
Equivalent focal-length (APS-C) |
24-52.5mm |
24-52.5mm |
Lens Elements / Groups |
16/13 |
15/12 |
Special elements |
Aspherical x2 XA x1 ED x3 |
Aspherical x1 Super ED x1 XA x3 ED Aspherical x1 ED x2 |
Angle of view |
107º-63º |
107º-63º |
Aperture range |
f/2.8 - f/22 |
f/2.8 - f/22 |
Aperture Blades |
11 |
11 |
Circular Aperture |
Yes |
Yes |
Focus motor |
Dual Direct Drive SSM |
Four XD Linear |
Minimum Focus Distance |
0.28m |
0.22 |
Maximum Magnification ratio |
0.19x |
0.32x |
Breathing compensation |
Supported |
Supported / Minimised |
Aperture ring, lock and click switch |
N/A |
Yes |
Filter Diameter |
82mm |
82mm |
Image stabilisation (SteadyShot) |
Camera body |
Camera body |
Zoom system |
Manual |
Manual |
Hood Type |
Petal shape, bayonet type |
Petal shape, bayonet type with new smaller and lighter design |
Lens coating |
Nano AR Coating + Fluorine |
Nano AR II Coating + Fluorine |
Weather resiatance |
Yes |
Yes |
Zoom length for gimbal balance |
+14mm |
+8mm |
Dimensions (Diameter x Length) |
88.5 x 121.6mm |
87.8 x 111.5mm |
Weight |
680g |
547g |
The newer lens has been improved in virtually every respect, most notably through an updated optical formula, faster focusing, closer minimum focus distance and higher magnification.
It’s also significantly smaller and lighter than the original, maintains a more consistent centre of balance for mounting onto a gimbal stabiliser, and shows reduced focus breathing for video recording and focus stacking.
Yes, with such a popular focal width for outdoor subjects, Sony has ensured the lens meets the demands of photographers and videographers who work in all sorts of conditions. They’ve done this through a dust and moisture resistant design with sealed seams, rubber gaskets on all buttons and switches, as well as lens mount seals.
As with the majority of G Master lenses, the 16-35mm GM II includes a Fluorine coat on the front element, reducing cleaning time and maintenance by repelling water, oil and contaminants. It’s essential to familiarise yourself on how to clean a camera lens for longevity, by using a simple air blower, lens wipes and lens cloth, depending on the situation.
Sample 4: Sony A7CR with Sony FE 16-35mm f/2.8 GM II @35mm. Exposure: 1/500sec. f/8. ISO 320
Aside from the cleaning accessories mentioned earlier, you can accessorise the Sony 16-35mm f/2.8 GM II lens with a host of 82mm lens filters, a gimbal and lens pouch or case. As a premium model it’s recommended to buy high-quality filters, such as the Hoya 82mm HD NANO II Circular Polarising Filter, or slightly less expensive Hoya 82mm Fusion One Next PL-CIR.
A variable ND filter is a great addition for long exposure photography and to control light when recording video. Once again Hoya offers a premium option, with the Hoya 82mm Variable Density II Filter, or you could opt for the equally premium PolarPro PMVND Signature Edition II - 82mm - 2/5 Stop.
There’s no question that the next generation of G Master lenses offer significant advantages to photographers who shoot with newer Sony mirrorless cameras. The 16-35mm f/2.8 GM II will even keep pace with the flagship Sony A1 at 30fps burst shooting, delivers incredible detail and high resolving power, as well as coming with updated ergonomics and controls. It’s better for video too, with reduced focus breathing, a de-clickable and lockable aperture ring, and even magnifies the subject within the frame considerably.
Reserve your Sony FE 16-35mm f/2.8 GM II Wide Angle Zoom Lens today and discover just how brilliant this new optic is, and what it can do for your content creation. If you’re upgrading from a previous model, or simply want to sell camera equipment that you no longer need, why not grab a free quote and use our easy service to offset the cost.
Whether you decide to upgrade today, or bide time with your current lens, try and head out to shoot as often as possible. Photography is an incredible hobby, which takes us away from everyday stress and invigorates the right hemisphere of the brain, and that's a very good thing.
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By Nick Dautlich on 29/08/2023
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