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When I heard that Benro was releasing a new series of tripods designed primarily for lightweight travel photography, I jumped on the chance to test one out. Luckily Benro agreed to send over the Benro Tortoise 35C Carbon Fibre Tripod And GX35 Ball Head, which I requested as it’s the tallest version in the range. It comes with the new GX35 low profile ball head, the sturdiest in a new ball head series which accompany various tripods and their kits.
Love ‘em or hate ‘em tripods are an essential accessory for many photographers and videographers. A tripod can come in handy whether you shoot landscapes, cityscapes, wildlife, interiors, portraits, travel, time-lapse or videos and some other subjects too. That’s not to say all photographers want or need a tripod all of the time, with many arguing it slows and weighs them down.
As a landscape photographer slowing down to think about a composition can be a positive thing, so while we’re on it, here’s a list of why a tripod can be useful for photography, and for landscape photography in particular:
Benro has been making feature-rich, extremely well priced tripods for over 25 years. They shifted to giving their tripods more memorable names like ‘Tortoise’ and ‘Bat,’ rather than focusing on complicated tripod model numbers.
The new Tortoise range slot into Benro carbon fibre tripods under the Combination Series and all come in a kit with a ball head included. The range has been designed to cater for the vast majority of shooting situations which a tripod can be used for, as listed above. The ball heads are all available separately too, including this one on test the GX35 Low-Profile Dual Panoramic Ball Head (£150 at launch).
There are currently seven Tortoises all made from carbon fibre and all being columnless. The range starts off with a tabletop mini version, going on to video-specific models with panning heads. Tortoise are Benro’s most compact systems, folding down to around 8cm diameter making them ideal for travel and hiking for landscape and other types of photography.
Shooting in the forest, I used the Benro Bat 15A With VX20 Ball Head to take a self timed photo so you can see the fully extended height with all leg sections opened up. I’m 6’2”, was on a slope and the height was fine. The tripod didn’t flinch with a Sony 100-400mm GM lens mounted, with no creep or movement whatsoever.
The Tortoise range particularly appeals as they have their centre column removed, which gives a few standout benefits:
One of my favourite benefits of having no centre column is the ability to get extremely low to the ground, which has several uses like shooting macros. You can see the Voigtlander 65mm f/2 E-Mount Macro Apo-Lanthar Aspherical manual focus lens, one of the sharpest lenses I’ve ever used, perfect for slow photography!
I chose this kit as on paper it looks very useful indeed, with a good max height for having no centre column, that also packs down to a compact 56cm for hikes to landscape locations. There’s an optional carbon fibre extension column for the 3 series, which adds just the right amount of height for taller users when shooting on a hill for example and is a great option to have. Speaking of accessories, the good people at Benro told me that there are a number of other accessories in the pipeline for the Tortoise Series, including longer steel spikes for extra stability in softer ground. The spikes you get in this kit are perfectly useable for the majority of situations though and it’s nice to get both rubber and spiked feet included in the first place.
Tortoise 35C Carbon Fibre Tripod and GX35 Ball Head specs and pricing
£320.00 at launch for the kit with head |
|
Tripod leg series |
Series 3 |
Material |
Carbon Fibre |
Maximum Height |
156cm (1560mm) |
Max Height with optional centre column |
196.5cm (1965mm) |
Minimum Height |
19cm (190mm) |
Folded Height including ball head |
56cm (560mm) |
Total weight with GX35 head |
1.92kg |
Payload weight capacity |
15kg |
Leg Lock Type |
Twist Locks |
Leg Sections |
5 |
Independent Leg Spread |
Yes |
Feet |
Rubber and metal spikes included |
Carry bag included |
Yes |
Benro GX35 Low Profile Aluminium Ball Head (included) |
Available separately for £150 |
Head Type |
360° Panning Ball Head |
Base Mount |
3/8"-16 Female |
Camera Mounting Screw |
1/4"-20 Male |
Quick Release Plate Type included |
Yes, Arca-Swiss Type |
Load Capacity |
35 kg |
Bubble Level |
Yes (1) |
Friction Control |
Yes |
Independent Pan Lock |
Yes |
Material |
Aluminum |
Ball Sphere Diameter |
40 mm |
Base Diameter |
51 mm |
Dimensions |
90.0 mm |
Weight |
400 g |
Long exposure solo tree (13 seconds). Tripod: Benro Tortoise 35C And GX35 Head, two legs extended
Lens: Sigma 24-70mm F2.8 DG DN Art Lens with a Lee100 Little Stopper and LEE100 0.6 ND Grad Soft Filter to balance the sky. Camera settings: Focal Length: 42.8mm. Exposure: 13 Seconds. f/8. ISO 100
I took the tripod out numerous times over a couple of weeks, using them in different situations with / without wind. What I haven’t been able to test is longevity, sea water and general maintenance. A tripod definitely needs looking after in order to perform faultlessly, especially if you shoot in salt water or sandy environments. If you shoot in sea or sand, basically just take the legs apart and rinse off the legs and shims, then put it back together.
A nice touch with the Tortoise range is the shims are single-piece, which means they are easy to get on and off without one half disappearing or causing hassle when putting back together. For this review I shot how I would normally, which is outdoors in whatever conditions I’m given. I was mostly looking for ease of use, quick adjustments and sharp results, using a timer to ensure I wasn’t responsible for any shake. At the end of the day it’s not about what I can do with them, it’s about what you can do!
100% crop showing absolute sharpness with a 13 second long exposure, this tripod is plenty stable with just two legs extended as I was low to the ground.
Test |
|
Fully extended |
✅ |
Fully extended with optional extension column |
✅ Yes all the way to 1965mm |
Low to the ground |
✅ Yes to shoot macro at 190mm |
Long exposures |
✅ Up to 30 seconds |
Longer lens |
✅ Sony 100-400mm GMaster - 1.4kg |
For hikes attached to backpack |
✅ Approx 2 miles each way |
With spikes and rubber feet (included) |
✅ Both |
Wind |
✅ Approx 12mph |
Rain |
✅ Light under canopy |
Calm conditions |
✅ |
In water |
❌ Hoping to soon! |
First off I took the kit together with a Bat Aluminium tripod (see the review of the Benro Bat tripod here) and set them up in local woods to get some forest vibes and close-ups. I put them both in a basket because there was a basket in the woods to put them in! The two tripods couldn’t be more different, with the Tortoise being the tallest carbon fibre, 5 leg section no centre column model, whilst the Bat I chose was the smallest, aluminium model available: Benro Bat 15A With VX20 Ball Head.
Two Benro tripods in a basket in the woods.
First up lets talk about having 5 leg sections, as this may not appeal to some shooting with heavier gear or need the most stability. Typically the fewer leg sections, the less joints there are to cause vibrations, but I chose this kit for portability versus extended height as I am over 6-foot tall and this reaches a healthy 156cm. The next model down is the Tortoise 34C Carbon Fibre Tripod with the same GX35 Ball Head, which has four leg sections and a higher 18kg payload. The downside for me is the max height of 143cm, which is fine for shorter shooters, but not so much for me. They all compact down really well and can be stowed in hand luggage when travelling.
The Tortoise 35C is most definitely aimed at users who want to strike a balance between a full size tripod which can support just about any gear, against low weight and compact folded size for hikes and travels. There are much heavier, more stable and considerably more expensive tripods around, but this kit is extremely affordable for what it offers. If you travel or hike to your destinations then a total combined weight of 1.92kg is extremely low for a 15kg payload, particularly as the legs are so compact when folded down.
After burn crescent moon (1/4 second). Tripod: Benro Tortoise 35C And GX35 Head, low to the ground
Lens: Sigma 24-70mm F2.8 DG DN Art Lens Camera settings: Focal Length: 70mm. Exposure: 1/4 Sec. f/8. ISO 100
Straight off the mark the tripod performed extremely well. When you twist the leg locks the heavier leg sections just fall smoothly downwards, which I like as it saves time. The twist locks can all be gripped in one go despite there being four of them, and undo with a small turn. Similarly tightening them is quick and easy and they feel incredibly smooth in use. The leg sections all have a nice carbon fibre weave if you like a bit of artistry, in keeping with the overall high quality look and feel of the entire product.
When you pull the legs outwards to stand the tripod, they instantly click into the first locking position as the tripod has an automatic leg angle system. Again I like this as it saves time if you want to put the tripod up in a hurry. A simple click of the leg angle adjustment lever and you can angle them right down to their flattest point, allowing you to get down to ground level. If you want to freestyle and choose your own angle, there’s a button to press for each leg which let’s you go cray-cray and choose any odd angle you need.
100% crop showing pin sharp crescent moon
I’ve not used a five section tripod before thinking it might be cumbersome, but there was no noticeable difference, simply one extra twist lock to tighten. The main benefit to having more leg sections is of course the compactness when the legs are stowed. When I lugged it around on the camera bag it was the perfect size, shorter than the one I have now with three leg sections and just fit perfectly overall.
There are a lot of hills where I tested the tripod so I constantly found I was using one or two legs shorter than the others. Getting the right angles, getting level and tearing down were all effortless and dare I say enjoyable thanks to extremely smooth twist locks, easy leg adjustments and a quick system to use overall. Switching between spikes and rubber feet was equally easy with no problems and high quality materials found in both.
If you need to get the tripod a bit higher, Benro has an optional matching Series 3, 3 section carbon fibre extension column. This nifty bit of kit was a revelation for me as I thought it would require you to take the base plate off the tripod legs and thread through like a centre column. In other words, arduous. It was precisely not like that at all, but was in fact super quick and simple to add. You just unscrew the ball head, screw on the extension and mount the head on top of that, so the extension sits above the base plate. Genius! I’ve included a video from Benro here which shows the extension in action. If you need extra height to shoot over something, because you’re on a steep slope or because you’re tall, this is a must-have accessory.
Rainy tree tunnel (4 seconds), calm conditions. Tripod: Benro Tortoise 35C And GX35 Head, fully extended legs with fully extended 3 section carbon fibre extension column
Lens: Sony FE 100-400mm f/4.5-5.6 GM OSS lens with a Hoya Revo SMC 77mm Circular Polarising Filter to cut down the glare from the wet foliage. Camera settings: Focal Length: 100mm. Exposure: 4 Seconds. f/10. ISO 100
100% crop of tree tunnel. 4 seconds exposure? No problem with everything extended to the max at around 196.5cm (yes the camera was at over 2 metres)
Let’s talk about the ball head. Like all good relationships there has to be trust. When you put £1000’s of gear onto a ball head which measures just 90mm wide and weighs 400g you want to be able to trust it. I’m happy to report the GX35 dual panoramic ball head is easy to trust and it didn’t take long to get used to Benro’s pull and twist safety locking mechanism for the quick release.
On the whole I use an Arca-Swiss type L-bracket instead of a regular quick release plate as it helps to quickly change from portrait to landscape orientation. I found that switching process effortless with my regular L-bracket and Benro’s very nice quality CNC machined quick release plate system, which felt really secure after twisting the secure locking mechanism.
There are pros and cons to both lever releases and screw-knob type releases. I’ve always favoured the old-skool screw-type knob, as I know if the gear falls off it was entirely my fault, rather than an accidental release of a lever. The Safety locking gives you an added layer of security as it pulls the grip very tightly into the Arca-Swiss type grooves. Benro does include the Arca-type PU56 Plate so you’re good to go if you don’t have a plate or L-bracket to begin with.
The GX35 shares the same features with the other heads in the latest ‘low profile’ ball head range, all of which are available separately. These include having dual 360° panning functionality. This means you can pan from a regular pan knob, which rotates the rig from beneath the ball head in the way we’re all used to. You can also do 360° panning beneath the quick release plate with a mini panning lever (or locking knob). I didn’t think I’d care to use the extra panning knob, assuming it was maybe just superfluous. However when shooting the tree tunnel I needed to make fine adjustments to the composition and it proved to be really useful tweaking the rotation with the lever. It turns out to be a really nice touch that I would use often now I know about it.
Overall adjusting compositions with the GX35 ball head was smooth and quick, with the main locking knob feeling very solid indeed. There was never any creep and I didn’t miss the lack of a drag control system as the drag was perfect out of the box for the different set-ups I was using.
Misty sun landscape (1/8 second), calm conditions. Tripod: Benro Tortoise 35C And GX35 Head, fully extended legs.
Lens: Sony FE 100-400mm f/4.5-5.6 GM OSS lens with a LEE100 0.9 ND Grad Soft Filter to balance the sky, but yes the sun is blown out! Camera settings: Focal Length: 158mm. Exposure: 1/8 Sec. f/9. ISO 100
100% crop, no problems with the tripod doing its’ job fully extended with all five leg sections open, during very low light
When I heard about the new Tortoise tripods I jumped on the chance to test one. I did this because I like to travel light, invariably use a tripod for landscape photography and love not breaking my ageing back. The Benro Tortoise 35C kit checks these and a lot of other boxes for photographers who enjoy shooting outdoors. The system quickly becomes familiar and started to feel like home, inspiring confidence with a combination of excellent features and high quality materials that are used throughout.
The folded height fits perfectly on a camera backpack, unlike some three or four section tripods I’ve used over the years that stick out and risk becoming snagged on branches and whatnot. With a combined weight of 1.92kg it’s lightweight for the height you can achieve and despite being over 6 foot tall I never felt uncomfortable when shooting. Getting sharp images at lower ISO’s is a primary reason for using a tripod and the Benro Tortoise 35C and GX35 Head delivered perfectly, although I did use best practice where possible.
Long exposure cloudy landscape (30 seconds), windy conditions. Tripod: Benro Tortoise 35C And GX35 Head, low to the ground
Lens: Sigma 24-70mm F2.8 DG DN Art Lens with a Lee100 Little Stopper and LEE100 0.9 ND Grad Soft Filter to balance the sky. Camera settings: Focal Length: 38mm. Exposure: 30 Seconds. f/8. ISO 100
Now that testing is complete I’m sorry to give the Tortoise 35C and GX35 Head back to Benro, particularly when we’re able to travel a bit more again. It makes for an excellent all rounder, which can serve as your only tripod or as one to choose when you need lightweight stability and portability for travel. Add the clever extension column for extra height when needed and you’re set for any adventure.
Images - all photos made with the Sony a7R III which has 42 megapixels so you can really scrutinise sharpness from a platform. I mostly used the Sigma 24-70mm Art lens as it’s pretty new to me, so I wanted to give it a good run. Everything was shot in RAW, if you don’t shoot RAW why not take a look at our post Why Shoot Photos in RAW. Let me know if you want any details on any of the gear used for this review. Photos were minimally processed.
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By Nick Dautlich on 21/06/2021
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